Skip to main content

Student Comparative Analysis Multi Media Presentations




Using Stokstad's introduction "Starter Kit" in our text, we have become familiar with how to deconstruct and analyze any piece of visual work, whether ancient or made yesterday.  

This is an opportunity for you to put your skills together and demonstrate the knowledge gleaned and present it in a class setting. 


Student presentations will be in 
WK 11   TU APR 16 & TH APR 18         
Pre Registration week FA 2019

Student Multi-Media Presentations  - plan on 4 - 5 minutes per presentation.    

In your presentations, you will create a comparative analysis between two forms.



Process
Part ONE
1. Select one image from our text we have never seen in my lecture notes from our text from Prehistory to Gothic Art.

NOTE: You may not use my examples, nor any of the student examples noted below. 


2. Your second image is to be found from the world of images made in the last century, between 1919 - 2019


They may be similar in subject matter or solely similar in their formal qualities.





Part TWO

Create ONE slide with BOTH images on it.
Place your name on the slide.
Put the first art history slide from our text on the LEFT (with page number) and your comparative image on the RIGHT.
Put ALL details on both images on the slide including:
Title -- in italics
Artist/Designer 
Time period. BCE or CE
Height in inches (convert any metric measurements)
Material

Making use of the formal elements and principles of design, speak about the comparison between two forms:

1. How do they compare to each other? 


Explain this through four of the elements of design below.

ELEMENTS of DESIGN
Line
Shape 
Color
Volume and mass
Space
Texture
Value

How do the elements function in your two selected works?


Explain by the use of 2 of the Principles of Design below.


PRINCIPLES of DESIGN
Unity - Variety / harmony
Balance - symmetry / asymmetrical / radial / occult
Emphasis - Focal Point
Pattern
Scale
Rhythm and repetition
Contrast
Visual Movement - direction / visual weight and visual speed


























Part THREE
1. Students will be drawn randomly of who will present first, second, third, etc.
Your images must sit on a slide side by side, as indicated in these examples. 

2. Organize your two examples side by side.
It can be a  PPT or any other multimedia presentation format you wish. 
Email me the digital file to jpepper@cazenovia.edu by 9:00 am on the day of the first presentations. 

You must include on the slide:

Your full name

The details of the two works: 
Artist/designer, title, date, dimensions (if you don't know the artist/designer type in Unknown)

Your presentation, at a minimum, will include 4 formal elements and 2 principles of design in your 5-minute presentation. 


Think of one minute for each Formal Element. And one minute to discuss the Principles of Design.



Evaluation:
As stated in the syllabus, the presentation class exercise will contribute to 5% of your overall grade.



NOTE:
You cannot use any of my visual comparisons, nor any of the students' samples listed below. 

For instance:



Unknown, Spotted Horses and Human Hands
Found in Pech-Merle Cave, France, 25,000 - 24,000 BCE
painted on limestone, over 5' in length

Keith Haring, mural, Brooklyn, NYC, c. 1982
enamel paint on a building
Link to: Keith Haring Foundation

or
Cycladic Female Figure
c. 2600 - 2400 BCE, marble

Mattel: Barbie
1959, plastic
Ruth Handler (after Bild Lilli German doll)
------------------------

Student Presentations:
FA 111 Comparative Analysis
Multi Media presentations from SP2019























Popular posts from this blog

Basic Outline Example: Analytical Paper DaVinci's Three Dachshunds

Written Deconstructive Analysis  Students will engage in writing a  two  deconstructive analysis paper throughout the course.      The examples will include historical and contemporary visual works that I will assign to students from our text. In addition to the five exams given throughout this course (the lowest grade of one exam will be dropped), the average of both papers may assist you in replacing a second lowest exam score in your overall grade for the course. Methods Found visual examples will include historical visual works from the areas we have studied.  Always provide bibliographical source material, noting ARTIST/DESIGNER, TITLE/PRODUCT, YEAR, DIMENSIONS, MEDIA, and URL link source, other pertinent bibliographic information.  Embed the visual image on your written paper. Make a number of notes that  thoroughly describe  how the fundamental elements and principles of the design ...

Student Statement of Understanding

SP 2019. FA111 Art History 1 The syllabus needs to be thoroughly read and understood on the part of the student.  Once completed, please copy and print this blog page, sign and date it.   Please submit to me by the next class period.   For whatever reason, should a student be unable to sign this document, you must make an appointment to see me to discuss your reasons. Statement of Understanding I, __________________________________, have received and read the course syllabus for  FA111.   I acknowledge that as a student enrolled in this course, I am responsible for adhering to the policies, procedures and course requirements outlined in the syllabus. I understand that it is my responsibility to contact the course instructor if I require further clarification regarding any aspect outlined in this syllabus in a timely manner. ______________________________________________________ Student Signature   Print n...

Elements & Principles of Visual Design

The  elements  and  principles of design   are the foundational building blocks used to create a visual work.  The elements of design are the A, B, C's that are put together by any artist or  designer  to create an image or object.   The  grammar  of how these elements are used create the overall work.   Good or bad, all visual works will contain most of these elements, if not all, the nine elements of design. The  principles of design  can be thought of as what and artist or designer does with the elements of design.   How we manipulate the elements and principles of design, or, how we employ them, creates an impression that an audience will interpret.  These are the artist and designers writing tools of how they express an  idea,  if  you will.  How we apply the  principles  of design determines how  successful we are in crea...